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© » KADIST

Nicoline van Harskamp

Installation (Installation)

The work is a speech composed of excerpts from autobiographies of well-known political characters. From each book an excerpts that describes a childhood event and one that describes a political event or statement was selected. The former, in most cases, functions as an alibi or explanation of the latter.

Indiscreet Units (Maldives)
© » KADIST

Harm van den Dorpel

NFT (NFT)

Indiscreet Units by Harm van den Dorpel is a group of more than 266 hue-rotating flags, stored on the Ethereum blockchain and IPFS. This is a project about the indeterminacy of color, and that variability as a metaphor for larger social and political forces. Each NFT in the series is the official flag design for nations (and related entities) around the world.

The Death of K9 Cigo
© » KADIST

Emmanuel van der Auwera

Film & Video (Film & Video)

Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings. Two months later, on 14 February 2018, 19 year old Nicolas Cruz killed 17 people and injured 17 others in a shooting at the Marjory Stoneman Douglas High School in Parkland, Florida. Van de Auwera began to follow videos uploaded to the Periscope App, a live broadcasting channel that closed in March 2021, downloading them and creating a bank of data that would otherwise disappear, as material on Periscope was self-deleting after a short period of time.

Mutant Garden Autobreeder
© » KADIST

Harm van den Dorpel

Advanced Technology (Advanced Technology)

Mutant Garden Autobreeder by Harm van den Dorpel is a generative animated artwork based on evolutionary programming that never appears the same twice. The work is based on an existing algorithm called Cartesian Genetic Programming, invented by Julian F. Miller and Peter Thomson in 1997, the system itself having been finely tuned by van den Dorpel to produce a very particular quality of qualia. The software has been carefully constructed to produce a stream of new and unpredictable mutations that build and react to each previous generation of image.

From Green to Orange
© » KADIST

Thu Van Tran

Photography (Photography)

From Green to Orange is a series of silver films immersed in a bath of dye and rust. While the perception of the subject is made difficult by the chemical reaction, vegetation becomes discernible at a closer look. Thu Van Tran interferes in the depths of a mystery, in the density of a hallucinated dream.

KEBRANTO
© » KADIST

Jonas Van and Juno B

Film & Video (Film & Video)

Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay. The mythical figure Boitatá is a protector of jungles and forests. In GuaraníBoitatá is the union of two words: Mbói (snake) and tatá (fire).

Sound of Ice Melting
© » KADIST

Paul Kos

Installation (Installation)

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.

let this be us
© » KADIST

Richard T. Walker

Film & Video (Film & Video)

let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints.

Untitled
© » KADIST

Barry McGee

Installation (Installation)

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner. Its tiled effect can perhaps be seen as a vertical Carl Andre work and also bears some resemblance to another work in the Kadist Collection, Jedediah Caesar’s JCA-25-SC. McGee’s installation also echoes the votive altars in the chapels he visited during his residency in Brazil in 1993.

Strange Culture
© » KADIST

Lynn Hershman Leeson

Film & Video (Film & Video)

Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government. Through interviews, scripted acting, and illustrations, Hershman Leeson outlines the series of absurd events that led to New York state’s case against the former SFAI Associate Professor and artist Steve Kurtz. By closely following Kurtz’s story, Hershman Leeson reveals a strange ripple effect of the Bush administration’s destructive policies.

Captain X
© » KADIST

Luke Butler

Drawing & Print (Drawing & Print)

In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment. However, Kirk’s passive pose doesn’t so much suggest the aftermath of a battle as it does heavy contemplation, depression, or utter despair. Captain X is part of a series of paintings depicting various Star Trek characters who are stricken with human emotion-—a tactic that diminishes the mythological grandeur associated with this heroic captain and his indefatigable crew.

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

Painting (Painting)

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.

Interrupted Passage
© » KADIST

Julio Cesar Morales

Film & Video (Film & Video)

The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California. Reenacted here is Vallejo’s acquiescence to Americans who were attempting to overthrow Mexican governance of the region. When a small militia arrived at Vallejo’s house to arrest him, he invited them in and shared a meal.

Contrabando
© » KADIST

Julio Cesar Morales

Film & Video (Film & Video)

Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes. It is a study of the realities and consequences of exploited labor that simultaneously aims to record the living history of labor.

The Crime of Art
© » KADIST

Kota Ezawa

Film & Video (Film & Video)

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.

VertiGhost
© » KADIST

Lynn Hershman Leeson

Film & Video (Film & Video)

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco. VertiGhost features the re-creation of select scenes from Vertigo (which takes place in San Francisco), documentation of the life of a painting by Amedeo Modigliani in the Legion of Honor’s collection that was enshrouded by questions of authenticity, as well as interviews—including with the original film’s star Kim Novak— about the construction of realities in life and art. By thoughtfully overlaying these conversations and events, Hershman Leeson distills complex conversations around identity and authenticity into concise insights in just over 12 minutes.

27 Punk Photos: 11. Dim Wanker: F Word, May, 1978
© » KADIST

Bruce Conner

Photography (Photography)

In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue. 27 Punk Photos: 11. Dim Wanker: F Word, May, 1978 (1978) is representative of a series of photographs by Conner, whose subject became a fascination for the artist.

Lightning
© » KADIST

Paul Kos

Film & Video (Film & Video)

Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon. Turning her head toward and away from the scene she says, “When I look for the lightning it never strikes, but when I look away it does.” And indeed, the lightning does seem to strike only when she turns away. Before filming Lightning , Paul Kos had done a fair amount of research on lightning, much of it conducted at the lightning research lab at the University of Colorado.

Untitled (Women)
© » KADIST

Matt Lipps

Photography (Photography)

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity. Matt Lipps created this diptych by photographing a single arrangement of cutouts. As in his analogous portrait of men, the middle section appears twice, on either side of the split, signaling a stutter, a caesura, or a schizophrenic break.

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

Drawing & Print (Drawing & Print)

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico. I painted them sky blue, creating a “Hole in the Wall” This deconstruction of “feminized” work explores the difficulties in reconciling both low wages and undervalued work via social and political infrastructures, confronting issues of labor and power. The images that I myself perform, present a duality: women dressed in a black tango dance attire while engaging in de-skilled domestic chores; the surreal within non-fiction.

Human Quarry
© » KADIST

Leslie Shows

Painting (Painting)

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage. Both through its title and formally—through how the shapes in the composition resemble a mountain or natural formation—the piece relays us to a mineral quarry or a deep mining pit where materials are extracted. Interspersed among the block-like figures and rocky textures, we also see several human silhouettes, either cut-out, or as if they were whited out by a shining light, or lost in the shadows.

Undocumented Intervention
© » KADIST

Julio Cesar Morales

Drawing & Print (Drawing & Print)

Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation. Morales drew inspiration from both his childhood near the United States-Mexico border as well as from photographic documentation on U. S. government websites.

Serengeti Green
© » KADIST

Phillip Maisel

Photography (Photography)

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.

Untitled (Men)
© » KADIST

Matt Lipps

Photography (Photography)

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence.

EASTER MORNING
© » KADIST

Bruce Conner

Film & Video (Film & Video)

Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience. The video presents us with a reinterpretation of footage from his unreleased avant-garde film, Easter Morning Raga , from 1966. In contrast to his more famous pieces like A Movie (1958) and Crossroads (1976) which are juxtapositions of fragments from newsreels, soft-core pornography, and B movies, the images in EASTER MORNING serve as a reinterpretation of footage.

Color of History, Sweating Rocks
© » KADIST

Ranu Mukherjee

Film & Video (Film & Video)

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

Painting (Painting)

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.

Sirens
© » KADIST

Paul Kos

Film & Video (Film & Video)

Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey. Sirens exist in literature across many cultures including Ancient Greece and India, described as part bird and part woman, or like a mermaid. They were said to charm men by their song, and, having first lulled them to sleep, tear them to pieces.

Julio Cesar Morales

Lynn Hershman Leeson

Paul Kos

Bruce Conner

Kota Ezawa

Matt Lipps

Reza Aramesh

Working across a wide range of materials and processes, Aramesh examines simultaneously the history of Western art and contemporary commentary on the politics and history of the Middle East, concocting a unique visual language to address the contemporary conditions of violence and bio-politics...

Clare Rojas

Harm van den Dorpel

Harm van den Dorpel’s practice focuses on emergent systems and the role technology plays in their development and meaning...

Jonas Van and Juno B

Although Jonas Van and Juno B do not belong to a collective, this collaborative video reflects their individual practices and their complex subjectivities...

Emmanuel van der Auwera

Emmanuel van der Auwera is interested in conspiracy theories, surveillance photography and its ubiquity, giving texture to major events that are frequently smoothed out by media reporting...

Barry McGee

Richard T. Walker

Federico Herrero

Todd Hido

Leslie Shows

Simon Starling

Hama Goro

Hama Goro started his career in 1987, after studying at the National Art Institute of Bamako (INA), where he received his degree in drawing and visual arts...

Ranu Mukherjee

Nicoline van Harskamp

The work of Nicoline van Harskamp addresses the function and power of the spoken word, and its ability to influence perception and shape thought, both of which are instrumental to politics...

Mohamed Bourouissa

Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...

Thu Van Tran

Thu Van Tran grew up in the paradox of the dismantlement of the French colonial empire in Vietnam...

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

Anna-Bella Papp

Anna Bella-Papp recalls how intuitive it felt the first time she modelled something out of clay as a child...

Luke Butler

Santiago Borja

Santiago Borja’s work explores improbable connections between different thought systems, thus emphasizing the cannibalistic nature of modernism, and its inherently esoteric, yet seemingly “rational”, character...

Phillip Maisel

© » ARTNEWS

about 3 months ago (02/12/2024)

Musée d'Orsay's Van Gogh Exhibition Breaks Historic Attendance Record Skip to main content By Francesca Aton Plus Icon Francesca Aton Associate Digital Editor, ARTnews and Art in America View All February 12, 2024 3:00pm Visitors taking pictures of van Gogh's The Self-Portrait in the exhibition "Van Gogh in Auvers-sur-Oise, the Final Months" at the Musée d'Orsay in Paris, France, 2023...

© » ART & OBJECT

about 3 months ago (02/12/2024)

Pokémon Said to Be Reissuing Coveted Pikachu x Van Gogh Cards, and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ARTNEWS

about 3 months ago (02/12/2024)

Van Gogh Show Break Musée d’Orsay Attendance Records—and More Art News Skip to main content By The Editors of ARTnews Plus Icon The Editors of ARTnews View All February 12, 2024 10:09am The Musée d'Orsay in 2016...

© » ART CENTRON

about 3 months ago (02/10/2024)

Recovered Van Gogh Masterpiece Takes the Spotlight Again - Artcentron Home » Recovered Van Gogh Masterpiece Takes the Spotlight Again ART Feb 10, 2024 Ξ Leave a comment Recovered Van Gogh Masterpiece Takes the Spotlight Again posted by ARTCENTRON Vincent van Gogh, The Parsonage Garden at Nuenen in Spring (1884)...

© » THEARTNEWSPER

about 3 months ago (02/09/2024)

The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Adventures with Van Gogh blog The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Research reveals that the artist began the work as a winter scene and transformed it into a spring landscape Martin Bailey 9 February 2024 Share Conservator Marjan de Visser examining Van Gogh’s The Parsonage Garden at Nuenen in Spring (March 1884) Depot Boijmans van Beuningen...

© » LE MONDE

about 3 months ago (02/08/2024)

Avec près de 800 000 visiteurs, l’exposition Van Gogh au Musée d’Orsay établit son record de fréquentation Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement « L’Eglise d’Auvers-sur-Oise vue du chevet » et « Paysage sous un ciel tourmenté », peintures de l’artiste néerlandais Vincent Van Gogh présentées au Musée d’Orsay dans le cadre de l’exposition « Van Gogh/Artaud...

© » THEARTNEWSPER

about 3 months ago (02/06/2024)

Why Anthony van Dyck was summoned to paint a recently deceased noblewoman Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Book Club feature Why Anthony van Dyck was summoned to paint a recently deceased noblewoman This extract from a new book about works in the Dulwich Picture Gallery by Helen Hillyard and Jennifer Scott reveals the story behind the artist's 1663 portrait of Lady Digby Helen Hillyard and Jennifer Scott...

© » BOOOOOOOM

about 3 months ago (02/02/2024)

Artist Spotlight: Maeve van Klaveren – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Maeve van Klaveren (previously featured here )...

© » OBSERVER

about 3 months ago (02/02/2024)

Review: “The Realm of Appearances” at the Museum of Fine Arts Boston | Observer An exhibition view of ‘Matthew Wong: The Realm of Appearances’...

© » DIANE PERNET

about 3 months ago (01/31/2024)

VAN HALEN’s no...

© » TRIBLIVE

about 4 months ago (01/13/2024)

Pittsburghers, punk fans celebrate Erik Bauer's book documenting 25 years of shows | TribLIVE.com Art & Museums Pittsburghers, punk fans celebrate Erik Bauer's book documenting 25 years of shows Justin Vellucci Saturday, Jan...

© » LENS CULTURE

about 4 months ago (12/24/2023)

15 Most Popular Photo Stories from LensCulture in 2023 | LensCulture Feature 15 Most Popular Photo Stories from LensCulture in 2023 Here are 15 of LensCulture’s most popular highlights from 2023 — a mix of new discoveries, photobook reviews, interviews, essays, exhibitions and visual stories...

© » SOUTH CHINA MORNING POST

about 5 months ago (12/18/2023)

‘Piano megastar’ Lang Lang shows his wizardry in Beethoven concerto with Hong Kong Philharmonic and Jaap van Zweden | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Chinese pianist Lang Lang performs Beethoven’s Concerto No 3 with the Hong Kong Philharmonic under the baton of Jaap van Zweden at the Hong Kong Cultural Centre Concert Hall on December 15...

© » IGNANT

about 5 months ago (12/16/2023)

Baroque Minimalism: A Conversation With Muller Van Severen - IGNANT Name Muller Van Severen Images Pieter Peulen Words Rosie Flanagan Fien Muller and Hannes Van Severen met in 2001 at the LUCA School of Arts in Ghent...

© » THEARTNEWSPER

about 5 months ago (12/08/2023)

Van Gogh’s 'Starry Night over the Rhône' will return for the first time to the city where it was painted Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Adventures with Van Gogh blog Van Gogh’s 'Starry Night over the Rhône' will return for the first time to the city where it was painted But did Vincent really wear a hat fringed with candles when he was working? Martin Bailey 8 December 2023 Share Van Gogh’s Starry Night over the Rhone (September 1888) Credit: Musée d’Orsay, Paris Adventures with Van Gogh Adventures with Van Gogh is a weekly blog by Martin Bailey, our long-standing correspondent and expert on the artist...

© » COLOSSAL

about 5 months ago (12/07/2023)

Water, skeletons, and the origins of life usher in a major retrospective of the exquisite, otherworldly garments of Iris van Herpen ( previously )...

© » DIANE PERNET

about 5 months ago (12/05/2023)

In Conversation with Iris Van Herpen at the Musée des Arts Décoratifs – A Shaded View on Fashion “Iris Van Herpen: Sculpting the Senses” is open at the Musée Des Arts Décoratifs from now through April 28th 2024...

© » FRANCE24

about 7 months ago (10/06/2023)

Final works and a Pokemon mashup: New van Gogh exhibitions - arts24 Skip to main content Final works and a Pokemon mashup: New van Gogh exhibitions Issued on: 06/10/2023 - 16:58 11:53 arts24 © FRANCE 24 screengrab By: Marion CHAVAL | Aline BOTTIN | Magali FAURE | Alison SARGENT In this roundup of cultural news, we kick off with the winner of this year's Nobel Prize in Literature: Norwegian author and playwright Jon Fosse...

© » SLASH PARIS

about 7 months ago (09/25/2023)

Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Van Gogh à Auvers-sur-Oise — Les derniers mois Exposition Peinture Vincent Van Gogh, Champ de blé sous un ciel orageux, Auvers-sur-Oise, juillet 1890 Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) © Van Gogh Museum, Amsterdam Van Gogh à Auvers-sur-Oise Les derniers mois Encore environ 2 mois : 3 octobre 2023 → 4 février 2024 Présentée au musée d’Orsay à l’automne 2023, cette exposition sera la première consacrée aux œuvres produites par Vincent van Gogh (1853-1890) durant les deux derniers mois de sa vie, à Auvers-sur-Oise, près de Paris...

© » SLASH PARIS

about 7 months ago (09/25/2023)

Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Van Gogh à Auvers-sur-Oise — Les derniers mois Exhibition Painting Vincent Van Gogh, Champ de blé sous un ciel orageux, Auvers-sur-Oise, juillet 1890 Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) © Van Gogh Museum, Amsterdam Van Gogh à Auvers-sur-Oise Les derniers mois Ends in about 2 months: October 3, 2023 → February 4, 2024 Présentée au musée d’Orsay à l’automne 2023, cette exposition sera la première consacrée aux œuvres produites par Vincent van Gogh (1853-1890) durant les deux derniers mois de sa vie, à Auvers-sur-Oise, près de Paris...

© » LENS CULTURE

about 11 months ago (06/09/2023)

Finding Common Ground In Street Photography - Photographs by Joep Hijwegen, Julie Hrudová, Bart Koetsier and Rolf van Rooij | Essay by Erik Vroons | LensCulture Feature Finding Common Ground In Street Photography What makes a great ‘street’ photograph? Erik Vroons explores the infinite possibilities of the genre while reflecting on the diverse work of five Dutch photographers...

© » SLASH PARIS

about 12 months ago (05/04/2023)

L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour L’œil vérité — Le musée au second degré Exposition Techniques mixtes À venir Roman Cieslewicz, M...

© » SLASH PARIS

about 12 months ago (05/04/2023)

L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris Login Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back L’œil vérité — Le musée au second degré Exhibition Mixed media Upcoming Roman Cieslewicz, M...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

We spoke with the 27-year-old collector about the works he covets most, and how collecting was passed down in his own family....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

The Oracle Corporation co-founder owns the painting that hung above J...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Top Collector Thomas Olbricht to Sell Works from His Collection Following Berlin Museum Closure - via ARTnews...

© » ARTMARKETMONITOR

about 34 months ago (07/12/2021)

Royalty and Rediscoveries Drive Van Dyck’s Momentum at Auction Two van Dyck royal portraits sold at Sotheby’s in February 2018...

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about 37 months ago (04/23/2021)

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